WASHINGTON (RNS) The exhibit Indiana Jones and the Adventure of Archaeology, at the National Geographic Museum until Jan. 3, features 100carefully crafted film props alongside real archaeological finds. Theres the golden Ark of the Covenant from Raiders of the Lost Arkthe model for the container that housed the Ten Commandments, complete with two winged cherubs as described in the Old Testament. Theres the cup representing the Holy Grailfrom Indiana Jones and the Last Crusade. And there are theoblong, translucentSankara stones from Indiana Jones and the Temple of Doom, an imagined artifact based on symbols ofthe god Shiva. What is it about Indiana Jones and, more broadly, the quest for religious relicsthat captures peoples imaginations' Exhibit curator Fredrik Hiebert saidhis archaeology studentsloved the movies when he used to teach at the University of Pennsylvania. So whenGeorge Lucas, creator of the film franchise,reached out to National Geographic about an exhibit, Hieberttook 20 seconds to say yes to the proposal. I like the fact that George Lucas can entertain, make you laugh and make you think deeply about God, the afterlife and the past at the same time, said Heibert. And thats precisely the appeal ofIndiana Jones, according to Peter Manseau,who holdsa doctorate in religion from Georgetown University. Its not simply archaeology but the archaeology of the sacred, the idea that once upon a time humans had this immediate capacity to connect with something sacred, said Manseau, who writes about Jones connection to sacred objects inan upcoming issue of themagazine CrossCurrents. Sacredartifactsalso excite people because they lend legitimacy to religious stories, Manseau noted. As much as religion is a matter of faith, he said, these archaeological adventures are at some level quests for proof because sacred artifacts make religion physical in a way thats hard to ignore. In his own work, Manseau has often gone to see relics, particularly remains of saints, in the process of writing his book Rag and Bone. He recalled the impact of seeing the finger of John the Baptist in Florence, Italy, presented artfully in a glass and gold case. It was clearly a human finger, a real human life, and that gives stories associated with it all the more power, he said. These objects have been the receptacles of devotion for centuries and that also gives them their own significance. The Indiana Jones films themselves, meanwhile, authenticate religious stories in a way thats unusual for Hollywood, Manseau said. For example, in Raiders of the Lost Ark, when the Ark of the Covenant is opened, rays of fire strike Jones rivals, confirming the arkssupernatural powers. But the films alsocritique certain religious ideas, Manseau said. In The Last Crusade, Jones finds that the Holy Grail is a simple unadorned cup from whichJesus may have drunk during the Last Supper or perhaps the Crucifixion, as opposed to a bejeweled gold goblet. This is arguably an understated endorsement ofa simpler, non-ostentatious Christianity. Today, Manseau sees a connection between Jones archaeology of the sacred and his own profession as a religion writer. Peoples overwhelming curiosity about quests for religious artifacts may not be unlike the search for religion stories. Youre digging into peoples lives, he said. Youre digging into their experiences, looking for the most sacred moments to them. Meanwhile, the real-life quest for religious artifacts is ongoing. National Geographic is currently studyingthe oldest temple in the world, Gobekli Tepe in Turkey, Hiebert said. It gives me goosebumps, he said. Im thinking this could be the next location for an Indiana Jones film. Also on HuffPost: -- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.
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